In 1961, he collaborated with novelist Alain Robbe-Grillet to create a film so vague and mysterious that none of the characters have names: a woman called “A,” a man called “X,” and another man called “M,” who may be the woman’s husband. Might as well start as complicated as we can get, right? Alain Resnais was never a conventional director, as seen in his previous film (and most celebrated work) Hiroshima Mon Amour. A glass that falls, three, two, one, zero. Glass objects, objects still intact, empty glasses. Empty chairs, deep armchairs, thick carpets. Last Year at Marienbad (1961)Įmpty salons. Most importantly, these are the scripts that demonstrate how “screenwriting from scratch” is done. So, what is the most important piece of film writing ever written directly for the screen? This list will shift from American to international, conventional to unconventional. What makes a brilliant script? Is it quotable lines? Is it nuanced dialogue? Or is it just the ability to move the story along and not get in the way? When looking back through the history of screenwriting, there are plenty of iconic films based on previous work the Writer’s Guild of America voted Casablanca the greatest screenplay of all time, but it’s adapted.
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